This was one of the first ones that Chris and I tried to reverse engineer, and we tinkered with it until we felt we understood the flow of it. I’m pleased to see the introduction of head movement – I feel it is underutilized in many karate and kempo styles. We’ll do a deep dive on that later, but it’s a welcome detail.
The combination is fairly one sided, but I encountered that in some other older techniques from other arts. The flow is interesting, and it has a classic ‘Villari-esque’ finish.
